Posts Tagged ‘Karisma Records’

Presse Ljungblut 6 av Tom LundPR

With their sixth full-length album “Villa Carlotta 5959” having  hit the streets on Karisma Records on the 2nd November, Norwegian Alternative Rockers LJUNGBLUT have today revealed an atmospheric new video for the track  “Himmelen som vet”.  The video, directed and shot by Edvard Brendsrød,  can be seen below and at https://youtu.be/otl9HvJSkns


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To  celebrate the release of “Villa Carlotta 5959” LJUNGBLUT are set to play their only live dates of 2018.  The shows will take place in Norway as follows:

09 Nov:  Papirhuset, Tønsberg
10 Nov:  Papirhuset, Tønsberg
12 Nov:  Kulturkirken Jacob, Oslo

Ljungblut LivePR

Formed in 2005 by Kim Ljung  as a vehicle for material he didn’t think would be suitable for  either SEIGMEN or ZEROMANCER , bands for whom he is both the bassist and main songwriter, LJUNGBLUT eventually expanded from a solo project, which saw the release of three albums, into a fully fledged band.  Dan Heide (ZEROMANCER, RED7) on guitars, Ted Skogmann (APOPTYGMA BERZERK) on drums , Joakim Brendsrød on keys and Sindre Pedersen on bass, joined Ljung, on keys and vocals, and, as a quintet, the band released two independent albums with Norwegian lyrics.

Ljungblut 05 by Tom LundPR

Encompassing a wide range of tempos and dynamics,  “Villa Carlotta 5959” is an album that presents the listeners with a cohesive sound and a melancholy mood, swathing Ljung’s characteristic vocals in vintage synths and instruments .    Recorded live in the studio and mixed by Alex Møklebust (SEIGMEN / ZEROMANCER) and Terje Johannesen, guest artists on “Villa Carlotta 5959” include Ljunggren (A-HA, ZEROMANCER), Ginge Anvik (SUBGUD, soundtrack composer) and  Terje Johannesen.

With artwork by Hanne-Christine Flåten , “Villa Carlotta 5959” is available in CD, Digital and Vinyl formats, as well as a Limited Edition Turquoise LP,  and is available from all the usual retailers and streaming services, as well as direct from Karisma Records at

Bandcamp (all versions) : https://ljungblut.bandcamp.com/
Webshop (CD and LPs): https://www.karismarecords.no/webshop/

Ljungblut Villa Carlotta Albumart PR

More information about LJUNGBLUT can be found on the band’s Facebook page at https://www.facebook.com/Ljungblut-86549322482/

Ljungblut Kim 1 by Guro LjungPR

ADDITIONAL INFORMATION
Facebook: https://www.facebook.com/Ljungblut-86549322482/
Website: www.ljungblut.com
YouTube:  https://www.youtube.com/channel/UC2GURpUy14Zv87L9T-ftYTg
Karisma Records: http://www.karismarecords.no/
Karisma Records Facebook: https://www.facebook.com/karismarecords
Karisma Records Bandcamp: https://karismarecords.bandcamp.com
Karisma Records on YouTube:  https://www.youtube.com/c/KarismarecordsNor
Karisma Records Twitter: https://twitter.com/KarismaRecords
Karisma on SoundCloud:  https://soundcloud.com/karisma-records
Karisma Records Webshop: http://karismarecords.bigcartel.com/
Karisma Records US Webshop:  http://karismarecords.aisamerch.com/

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mail (2) PR

This press release was sent out via Karisma Records at the request of Nuclear Blast Records UK.  Please enjoy!  Copyright © 2018 Nuclear Blast Records, All rights reserved.

Black avantgarde Norwegians ENSLAVED recently toured across Europe and the United Kingdom alongside co-headliners High On Fire and support band KRAKOW. We caught up with Ivar from Enslaved and Frode from KRAKOW at the bands’ sold out London show to see how the tour has gone and to find out who is willing to dish the dirt on each other’s bands. Find out what happened below or here:  youtu.be/OFmLmVBHjgY


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Order ENSLAVED’s latest album E here: nuclearblast.com/enslaved-e

Order KRAKOW’s latest album minus here: karismarecords.no/artists/krakow

mail (1) PR

Formed in Bergen, Norway, in 1991, Enslaved had evolutionary zeal in their eyes from the start. Even as they emerged from the nascent Norwegian black metal scene of the early ‘90s, guitarist Ivar Bjørnson and vocalist/bassist Grutle Kjellson demonstrated a fervently idiosyncratic approach to making extreme music. By eschewing the wilful conservatism of their peers in favour of an outward-looking ethos, Enslaved’s reputation grew rapidly in the wake of extraordinary, epic albums like their primitive but insidious debut Vikingligr Veldi and its strident follow-up Frost (both 1994). By the late ‘90s, the band had morphed into a wildly progressive and adventurous beast, always retaining the core, aggressive tenets of their musical roots but increasingly in thrall to the limitless possibilities that music, in its entirety, truly presents. Widely acknowledged as a powerful and ferocious live band, Enslaved entered the 21stcentury by flexing new muscles on the acclaimed likes of 2003’s Below The Lights and its groundbreaking successor, Isa (2004). Now as much a part of the flourish progressive rock and metal realm as they were loyal servants of the extreme metal underground, Bergen’s finest hit a rich vein of form as the years passed, with albums as diverse and challenging as 2008’s Vertebrae and 2010’s Axioma Ethica Odini joyfully expanded the Enslaved musical universe, drawing in countless new acolytes along the way.

In 2015, Enslaved released their 13th studio album, In Times. A tour-de-force of hypnotic prog intensity and scabrous, blackened pomp, it exuded an air of completion and finality that led perfectly into 2016’s extravagant celebrations, as Enslaved marked their 25th anniversary with some truly life-changing shows that explored all shadows and hidden corners in the band’s colossal catalogue. In Times represented the end of an era and the opening of a gateway to somewhere entirely new.

Despite rarely pausing for breath – not just as a result of Enslaved’s hectic touring schedule, but also due to numerous extracurricular projects – Ivar and his comrades have somehow managed to piece together yet another full-length milestone in the shape of their 14th studio effort, the elegantly titled E. Written amid a burst of creativity, grabbed at the tail-end of the band’s 2016 US dates, the new album marks the majestic birth of a revitalised and newly inspired Enslaved. Against the logistical odds, a new dawn was coming.

An album full of revelatory moments, spine-tingling dynamics and exquisite but alien atmospheres, E showcases a refreshed Enslaved line-up via songs that take the band into unprecedented territory. From the grandiose, weather-beaten riff-scapes of 11-minute opener Storm Son to the wild, psychedelic frontier squall of Sacred Horse and the muscular, sax- powered shoegaze barrage of monstrous closer Hiindsiight, it is both a typically bold and fearless statement from this most inventive of modern metal bands and a thrilling sideways step that harnesses the spirit of old and sets it loose in a whirlwind of imagination. Conceptually, too, Enslaved are making giant forward strides. While past albums frequently focused on notions of individuality and isolation, E offers a transformative fresh perspective.

14 albums and 26 years into a career that shows no signs of losing neither momentum nor its magical, effervescent creative sheen, Enslaved are once again evolving before our ears and eyes. This time, however, even the sky is no limit. Stronger than ever and manifestly thrilled to be in such rude health, Ivar avows that life in Enslaved has never been more rewarding. And the best is yet to come.

mail (3) PR

KRAKOW was formed in Bergen, Norway in the fall of of 2005. The post metal collective received much praise and recognition for their special take on the genre with their second album diin, which was voted the 3rd best metal album of the year by Metal Hammer Norway in 2012.

Their third album, amaran, saw the band develop their style even further. The band made a unique and atmospheric record that stands out against its competition. With this album, the band explored both the calmer side of their sound, as well as the more experimental and drone aspects. This makes amaran a highly varied album, filled with both dreamy soundscapes and sinister, harsh atmospheres.

Following the laborious process of distilling two albums worth of material into one focused gem, the band then created their latest offering, minus. The pinnacle achievement of KRAKOW’s thirteen-year existence. After a year of recording, shaping, re-recording and refining, minus has been reduced to the bare essence of who KRAKOW are as individuals, as a group and as story tellers.  It’s an album that defies any attempts at genre definition and covers the heavy, the subtle, the melodic, the atonal, the groovy, the sluggish, the dense, the airy, the naked and always, always, that wall of sound where no light can escape.

With themes spanning from outer space to the hidden worlds deep below, travelling in time from the distant future to the near past like an inverted space odyssey, we are taken on a journey where “we all become stories”, in ways as much a reflection of the ones we tell, as a revelation of the ones we won’t.

mail (4) PR

ADDITIONAL INFORMATION
Facebook: https://www.facebook.com/krakowband
Website: http://www.krakowofficial.com/
BandCamp: http://krakow.bandcamp.com/
Twitter:  https://twitter.com/KrakowOfficial
Instagram:  https://www.instagram.com/krakowofficial/
SoundCloud: http://soundcloud.com/krakow_band
Band Contact: contact@krakowofficial.com
Karisma Records: http://www.karismarecords.no/
Karisma Records Facebook: https://www.facebook.com/karismarecords
Karisma Records Bandcamp: https://karismarecords.bandcamp.com
Karisma Records on YouTube:  https://www.youtube.com/c/KarismarecordsNor
Karisma Records Twitter: https://twitter.com/KarismaRecords
Karisma on SoundCloud:  https://soundcloud.com/karisma-records
Karisma Records Webshop: http://karismarecords.bigcartel.com/
Karisma Records US Webshop:  http://karismarecords.aisamerch.com/

 

Ljungblut 05 by Tom LundPR

Photo by Tom Lund

With their sixth full-length album “Villa Carlotta 5959” set to hit the streets on Karisma Records on the 2nd November, Norwegian Alternative Rockers LJUNGBLUT have released a second single from the album.   The track “235” can be streamed or downloaded at http://phonofile.link/ljungblut-235

Commenting on the track, and its rather unusual name of “235”, LJUNGBLUT founder Kim Ljung had this to say:

Why 235? A Manchester casino goes by this name. Lorry (ZEROMANCER band member and LJUNGBLUT sound engineer) and I were  there some years ago.  Lorry was doing well with the chips up until the point where I convinced him to head for the Roulette wheel. All on red. Broke in no time. Inspiration.

 Sindre (bass) wrote this one. He sent me a demo and asked me if it had the the right feel to make it a LJUNGBLUT track. Of course it had. I loved it instantly! Its stomping beat and the blend of both laid back and feisty guitars, triggered off a wave of words and ideas for vocals.

 His way of thinking about music is different to mine. Which is great and refreshing. Same goes for Dan (guitars) who has also written several songs on the upcoming album “Villa Carlotta 5959”. The guys have really cracked the code on how to compose songs in real Blut-fashion. I believe “235” was the very last song on the album that we rehearsed together, and made ready for live-recording, with  some twists regarding notes, and re-arranging.  Plus lifting the track up one key, meant that I had to push it vocally a bit more. It definitely suited the lyrics and the energy of “235”.

 For the mix, Alex (SEIGMEN/ZEROMANCER bandmember and LJUNGBLUT co-producer/mixer) and I decided to keep the room alive. We pushed up all faders for mono and stereo-room to get the live-feel even more present in the track. 

 The lyrics are quite easy. It has obsessive-compulsive disorder written all over it. I think everyone in the band can relate to these words to a certain extent!

Ljungblut 235 artworkPR

Formed in 2005 by Kim Ljung  as a vehicle for material he didn’t think would be suitable for  either SEIGMEN or ZEROMANCER , bands for whom he is both the bassist and main songwriter, LJUNGBLUT eventually expanded from a solo project, which saw the release of three albums, into a fully fledged band.  Dan Heide (ZEROMANCER, RED7) on guitars, Ted Skogmann (APOPTYGMA BERZERK) on drums , Joakim Brendsrød on keys and Sindre Pedersen on bass, joined Ljung, on keys and vocals, and, as a quintet, the band released two independent albums with Norwegian lyrics.

Presse Ljungblut 6 av Tom LundPR

Photo by Tom Lund

“Villa Carlotta 5959” is, in fact, the last in the trilogy of the Norwegian language albums and in it Ljung creates smorgasbord filled with fascinating subjects ranging from the historical and factual, such as the tracks “Hasselblad”, which is about the 12 Hasselblad cameras left behind on the surface of the Moon, and “Superga”, which refers to the province of Turin, Italy, best known for  its Cathedral and the plane crash that killed the Torino football team in 1949, to the personal ,  with tracks like “Min Krig” (My war) and “Aldri helt stille” (Never completely quiet), which address the subject of Ljung’s chronic migraines.

Encompassing a wide range of tempos and dynamics,  “Villa Carlotta 5959” presents the listeners with a cohesive sound and a melancholy mood, swathing Ljung’s characteristic vocals in vintage synths and instruments .    Recorded live in the studio and mixed by Alex Møklebust (SEIGMEN / ZEROMANCER) and Terje Johannesen, guest artists on “Villa Carlotta 5959” include Ljunggren (A-HA, ZEROMANCER), Ginge Anvik (SUBGUD, soundtrack composer) and  Terje Johannesen.

“Villa Carlotta 5959” will be released in CD, Digital and Vinyl formats, as well as a Limited Edition Turquoise LP.  Artwork is by Hanne-Christine Flåten,  and track listing is as follows:

  1. Hasselblad
  2. Oktober
  3. Til Warszawa
  4. 235
  5. Superga
  6. Diamant
  7. Himmelen som vet
  8. Ohnesorg
  9. Aldri helt stille
  10. Min Krig

Ljungblut Villa Carlotta Albumart PR

“Villa Carlotta 5959” is now available to pre-order from:

Bandcamp (all versions) : https://ljungblut.bandcamp.com/
Webshop (CD and LPs): https://www.karismarecords.no/webshop/

To  celebrate the release of “Villa Carlotta 5959” LJUNGBLUT will play the following dates in Norway:

09 Nov:  Papirhuset, Tønsberg
10 Nov:  Papirhuset, Tønsberg
12 Nov:  Kulturkirken Jacob, Oslo

Ljungblut LivePR

More information about LJUNGBLUT can be found on the band’s Facebook page at https://www.facebook.com/Ljungblut-86549322482/

A video for the title track from LJUNGBLUT’s 2016 album “Ikke alle netter er like sorte”  can be seen below and at https://youtu.be/ukmQo13JkPY


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ADDITIONAL INFORMATION
Facebook: https://www.facebook.com/Ljungblut-86549322482/
Website: www.ljungblut.com
YouTube:  https://www.youtube.com/channel/UC2GURpUy14Zv87L9T-ftYTg
Karisma Records: http://www.karismarecords.no/
Karisma Records Facebook: https://www.facebook.com/karismarecords
Karisma Records Bandcamp: https://karismarecords.bandcamp.com
Karisma Records on YouTube:  https://www.youtube.com/c/KarismarecordsNor
Karisma Records Twitter: https://twitter.com/KarismaRecords
Karisma on SoundCloud:  https://soundcloud.com/karisma-records
Karisma Records Webshop: http://karismarecords.bigcartel.com/
Karisma Records US Webshop:  http://karismarecords.aisamerch.com/
Karisma Records BandCamp: http://karismarecords.bandcamp.com/music
Karisma Records KlickTrack Store (digital only):  http://shop.klicktrack.com/karismadarkessencerecords

Oak PR1

When a band’s members all come from backgrounds as diverse as classical piano, electronica, prog and hard-rock, and if they manage to pull it all together in a consummate fashion to create a unique sound, you would be safe to guess that the band was Norway’s OAK.   And, with their latest full-length album “False Memory Archive” due out on Karisma Records on the 19th October,  the Pop/Rockers have released the title track as a single, about which they have this to say:

If you are somewhat loose with everyone’s  conception of what ‘Pop’ actually is, then  the track “False Memory Archive” is the album’s pop leitmotif,  which still unmistakably sounds like OAK.  It also happens to be the album’s title track and, as such, it serves as a kind of introduction to the theme of the whole album.  It is a song that appears  light and happy in its expression, but all the while it still contains its fair share of darkness

The track “False Memory Archive” is available from, or can be heard at http://smarturl.it/OakFMA

Oak-falsememoryarchive single PR.png

Or you can hear it below


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Since starting out as a folk-rock duo, and releasing their 2013 debut album “Lighthouse”, OAK’s lineup of Øystein Sootholtet (Bass, guitars, banjo, keys & programming), Simen Valldal Johannessen (vocals, piano, keys & lyrics), Sigbjørn Reiakvam (drums, percussion, programming & keys), Ole Michael Bjørndal (guitars) and Stephan Hvinden (guitars), have made considerable strides as both musicians and songwriters as their sophomore album demonstrates.

There is still a nod in the direction of the debut full-length, but “False Memory Archive” is both darker and groovier , whilst retaining that successful amalgam of sound that is neither wholly progressive pop, nor wholly progressive rock,  but which is absolutely trademark OAK  and is comprised of catchy elements and stunning vocal harmonies, which create that unique duality that defines them as a band.

Oak PR2

“False Memory Archive” was recorded in Oslo at the Ljugekroken Studio and the Tøyen Church, and was  mixed and mastered by Jens Bogren and OAK at the Fascination Studios.  With front cover artwork by  Lisa Love and design by Deformat, and featuring a guest appearance on guitars by Bjorn RIIS, tracklisting for “False Memory Archive” is as follows:

  1. We, The Drowned
  2. Claire De Lune
  3. False Memory Archuve
  4. Lost Causes (Bjorn Riis guesting on guitar)
  5. Intermezzo
  6. The Lights
  7. These Are The Stars We’re Aiming For
  8. Transparent Eyes
  9. Psalm 51

Oak AlbumArt PR

“False Memory Archive” will be released in CD, Digital and Crystal Clear Vinyl formats, and is now available to pre-order at:

Bandcamp:  https://oakinoslo.bandcamp.com
Webshop:  https://www.karismarecords.no/artists/oak/

Oak PR3

More information about OAK can be found on the band’s Facebook page at https://www.facebook.com/oakinoslo/ or on their website at http://www.oakinoslo.com

Additional Information
Facebook:  https://www.facebook.com/oakinoslo/
Website: http://www.oakinoslo.com
Bandcamp:  https://oakinoslo.bandcamp.com
Instagram: https://www.instagram.com/oakinoslo/
YouTube: https://www.youtube.com/user/OakInOslo
Band contact and Booking: contact@oakinoslo.com
Promo and other information: post@karismarecords.no
Karisma Records: http://www.karismarecords.no/
Karisma Records Facebook: https://www.facebook.com/karismarecords
Karisma Records on YouTube:  https://www.youtube.com/c/KarismarecordsNor
Karisma on SoundCloud:  https://soundcloud.com/karisma-records
Karisma Records Webshop: http://karismarecords.bigcartel.com/
Karisma Records BandCamp: http://karismarecords.bandcamp.com/music
Karisma Records US Webshop:  http://karismarecords.aisamerch.com/
Karisma Records KlickTrack Store (digital only):  http://shop.klicktrack.com/karismadarkessencerecords

Ljungblut PR2

Karisma Records have revealed details of “Villa Carlotta 5959”, the upcoming release from Alternative Rockers LJUNGBLUT, as well as releasing the first single from the album.  The single, for the track “Hasselblad”,  whose cover features a photo by the photographer Bjørn Opsahl and a guest appearance by A-HA and ZEROMANCER’s Erik Ljunggren,  along with his wide array of analogue synths,  can  be heard below, and is available to purchase and stream from https://ljungblut.bandcamp.com/track/hasselblad as well as from  various streaming and digital services via http://phonofile.link/hasselblad


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About the track, band founder Kim Ljung had this to say:

 It was just one of those days. An early morning.

I read somewhere about the twelve Hasselblad cameras left on the moon. Made some fresh coffee and locked myself into the studio without any particular ideas in my head.
In a few hours it was all there. Lyrics and everything. 

 A real special feeling when it happens. The guys loved the demo. A few weeks later we rehearsed “Hasselblad” as a band, keeping it close to the original idea. Of course, Ted added  a real great drum-pattern. It was only just over a 2-minute arrangement though.

Right after I wrote it, I was visting Erik Ljunggren in his studio. Blown away by the collection of modular and vintage synthesizers, I asked him if he wanted to contribute for the end part. The Arp 2600 and the Oberheim Matrix creating most of the magic. All analogue. It was perfect.

The drums, the bass, the guitar (with the Morley flanger pedal), the Omni and the Roland strings were all recorded live. I believe it was the third take.

Sincerely happy with this one. Enjoy.

Ljungblut Hasselblad artwork PR

When he formed LJUNGBLUT  in 2005, Ljung was looking for a vehicle for the material he didn’t think was right for either SEIGMEN or ZEROMANCER, for whom he is the bassist and main songwriter.  Three solo albums later, LJUNGBLUT evolved further with the addition of full-time members, some of whom had collaborated on LJUNGBLUT’s  first two albums.  Joining Ljung (keys and vocals) are Dan Heide (ZEROMANCER, RED7) on guitars, Ted Skogmann (APOPTYGMA BERZERK) on drums , Joakim Brendsrød on keys and Sindre Pedersen on bass, and, as a quintet, the band released two independent albums with Norwegian lyrics.

“Villa Carlotta 5959”, which will be LJUNGBLUT’s sixth full-length album, is the last in the trilogy of the Norwegian language albums.  It is an album in which Ljung explores matters both historical and personal.  Whilst tracks like “Hasselblad”, about the 12 Hasselblad cameras left behind on the surface of the Moon, and “Superga”, which refers to the province of Turin, Italy, best known for  its Cathedral and the plane crash that killed the Torino football team in 1949, deal with actual events and places, tracks like “Min Krig” (My war) and “Aldri helt stille” (Never completely quiet), are much more personal, dealing, as they do, with Ljung’s chronic migraines.

The basis of “Villa Carlotta 5959” having been recorded live in the studio and mixed by Alex Møklebust (SEIGMEN / ZEROMANCER) and Terje Johannesen, Ljung’s characteristic vocals are embraced  by a plethora of vintage synths and instruments.  With its wide range of tempos and dynamics,  “Villa Carlotta 5959” presents the listeners with a cohesive sound and a melancholy mood.

Guest artists on “Villa Carlotta 5959” include Ljunggren (A-HA, ZEROMANCER), Ginge Anvik (SUBGUD, soundtrack composer) and  Terje Johannesen.  With artwork by Hanne-Christine Flåten, track listing for “Villa Carlotta 5959” is as follows:

  1. Hasselblad
  2. Oktober
  3. Til Warszawa
  4. 235
  5. Superga
  6. Diamant
  7. Himmelen som vet
  8. Ohnesorg
  9. Aldri helt stille
  10. Min Krig

Ljungblut Villa Carlotta Albumart PR

“Villa Carlotta 5959” is set for release on Karisma Records on the 2nd November in CD, Digital and Vinyl, as well as a Limited Edition Turquoise LP formats.  It is now available to pre-order from:

Bandcamp (all versions) : https://ljungblut.bandcamp.com/
Webshop (CD and LPs): https://www.karismarecords.no/webshop/

LJUNGLUT  will play the following dates in Norway to celebrate the release of “Villa Carlotta 5959”

09 Nov:  Papirhuset, Tønsberg
10 Nov:  Papirhuset, Tønsberg
12 Nov:  Kulturkirken Jacob, Oslo

More information about LJUNGBLUT can be found on the band’s Facebook page at https://www.facebook.com/Ljungblut-86549322482/

A video for the title track from LJUNGBLUT’s 2016 album “Ikke alle netter er like sorte”  can be seen below and at https://youtu.be/ukmQo13JkPY


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ADDITIONAL INFORMATION
Facebook: https://www.facebook.com/Ljungblut-86549322482/
Website: www.ljungblut.com
YouTube:  https://www.youtube.com/channel/UC2GURpUy14Zv87L9T-ftYTg
Karisma Records: http://www.karismarecords.no/
Karisma Records Facebook: https://www.facebook.com/karismarecords
Karisma Records Bandcamp: https://karismarecords.bandcamp.com
Karisma Records on YouTube:  https://www.youtube.com/c/KarismarecordsNor
Karisma on SoundCloud:  https://soundcloud.com/karisma-records
Karisma Records Webshop: http://karismarecords.bigcartel.com/
Karisma Records US Webshop:  http://karismarecords.aisamerch.com/
Karisma Records BandCamp: http://karismarecords.bandcamp.com/music
Karisma Records KlickTrack Store (digital only):  http://shop.klicktrack.com/karismadarkessencerecords

Oak PR1

Adding yet another string to their already impressive Progressive bow, Karisma Records have inked a deal with OAK,  and will release the band’s sophomore full-length album “False Memory Archive” on the 19th October.

In anticipation of the release, Karisma have debuted  the first track from the album “We, the Drowned” which can be heard below and at http://oakinoslo.bandcamp.com/album/false-memory-archive


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Starting life as a folk-rock duo, OAK’s current lineup of Simen Valldal Johannessen on vocals, piano, keys and lyrics, Sigbjørn Reiakvam on bass, acoustic / electric guitars, banjo, keys and programming, and Øystein Sootholtet on Drums, percussion, programming and keys, come from a diverse background that spans classical piano to electronica, prog- and hard-rock, and includes references to the alternative scene as well as progressive rock.   The pulling together of all these different elements and skills helped create the rather unique OAK sound, and resulted in the 2013 release of the band’s debut album “Lighthouse”.

Oak PR2

It’s now five years later, and OAK are back with “False Memory Archive”, which, with its nods in the direction of “Lighthouse”, make it a natural continuation of their debut. Meticulously crafted, with an increased use of electronics and low bass frequencies, “False Memory Archive” is both darker and groovier that its predecessor, whilst still maintaining that familiar Oak sound, which is neither wholly progressive pop, nor progressive rock, but a happy amalgam of both.

Having  taken several steps both as songwriters and musicians, OAK have succeeded in producing a sophomore album that  ended up in a slightly darker and more progressive territory, but one in which the light still shines through in the shape of catchy elements and stunning vocal harmonies, which create that unique duality that defines them as a band.

Recorded in Oslo at the Ljugekroken Studio and the Tøyen Church, “False Memory Archive” was  mixed and mastered by Jens Bogren and Oak at the Fascination Studios.  With front cover artwork by  Lisa Love and design by Deformat, and featuring a guest appearance on guitars by Bjorn Riis, tracklisting for “False Memory Archive” is as follows:

  1. We, The Drowned
  2. Claire De Lune
  3. False Memory Archuve
  4. Lost Causes (Bjorn Riis guesting on guitar)
  5. Intermezzo
  6. The Lights
  7. These Are The Stars We’re Aiming For
  8. Transparent Eyes
  9. Psalm 51

Oak AlbumArt PR

“False Memory Archive” will be released in CD, Digital and Crystal Clear Vinyl formats, and is now available to pre-order at:

Bandcamp:  https://oakinoslo.bandcamp.com
Webshop:  https://www.karismarecords.no/artists/oak/

OAK’s next live appearance will be on the 31 August, at the Close to the Rain Festival at the John Dee in Oslo.

More information about OAK can be found on the band’s Facebook page at https://www.facebook.com/oakinoslo/ or on their website at http://www.oakinoslo.com

Oak PR3

Additional Information
Facebook:  https://www.facebook.com/oakinoslo/
Website: http://www.oakinoslo.com
Bandcamp:  https://oakinoslo.bandcamp.com
Instagram: https://www.instagram.com/oakinoslo/
YouTube: https://www.youtube.com/user/OakInOslo
Band contact and Booking: contact@oakinoslo.com
Promo and other information: post@karismarecords.no
Karisma Records: http://www.karismarecords.no/
Karisma Records Facebook: https://www.facebook.com/karismarecords
Karisma Records on YouTube:  https://www.youtube.com/c/KarismarecordsNor
Karisma on SoundCloud:  https://soundcloud.com/karisma-records
Karisma Records Webshop: http://karismarecords.bigcartel.com/
Karisma Records BandCamp: http://karismarecords.bandcamp.com/music
Karisma Records US Webshop:  http://karismarecords.aisamerch.com/
Karisma Records KlickTrack Store (digital only):  http://shop.klicktrack.com/karismadarkessencerecords