Archive for the ‘KARISMA RECORDS’ Category

SOLSTEIN came into being after multi-instrumentalist Jacob Holm-Lupo (WHITE WILLOW, THE OPIUM CARTEL, DONNER) and drummer Keith Carlock (STEELY DAN, TOTO, JOHN LEGEND, STING) had collaborated with legendary guitarist Georg Wadenius on a track for Holm-Lupo’s DONNER project. The collaboration between the duo worked so well that they  decided to come together again on a whole album.

Joining Carlock and Holm-Lupo are up-and-coming guitarist Stian Larsen and keyboardists Brynjar Dambo (WHITE WILLOW) and Bill Bressler, and together they form a project that is inspired by jazz-rock, funk, prog rock and chill-out.  The sound they produce is an  instrumental form of rock, where jazz harmony combines with proggy arrangements and soul/funk grooves. The end result is laid back and  elegant, oscillating between funky fusion and rock.

Given some of the member’s prog backgrounds, there are also echoes of the jazzier side of prog, but, more than anything, SOLSTEIN is a playground for the musicians, where everyone was given free reins to do whatever they felt the music needed. If it put a smile on everyone’s face, it was deemed right.

The result is a self-titled album that is accessible yet adventurous, colourful, groovy and engaging. It melds  the groovier side of fusion with elements of prog and funk, but which, rather than having the standard 2020s fusion sound, tends more towards the funkier, more melodic spectrum that brings artists like THE CRUSADERS, IDRIS MUHAMMED, early BOB JAMES and 70s HERBIE HANCOCK to mind.

“Solstein”  was mixed and given pristine analogue mastering at Holm-Lupo’s Dude Ranch Studio, and with artwork by Martina Wilek, track listing is as follows:

  1. Intersection
  2. Oriental Folk Song
  3. Southwester
  4. The Night Owl
  5. Siriusly
  6. February 9th
  7. The Creeper
  8. Hamada

“Solstein” will be released on Is it Jazz? Records on the 7th July in CD, Digital and LPC formats and is now available to pre-order from:

Bandcamp: https://solstein.bandcamp.com/album/solstein
Is it Jazz Records: Webshop: https://isitjazzrecords.no/
Karisma Records Webshop: https://www.karismarecords.no/shop/

The name SOLSTEIN means Sunstone, and it refers to  a relatively rare rock containing copper-red crystals, which, when seen from different angles refracts the light in a very beautiful way. The most significant deposits of the rock are found along the southern coast of Norway where Holm-Lupo lives and runs his studio.

More  information about SOLSTEIN can be found on the band’s Facebook page at https://www.facebook.com/solsteinband

Additional Information
Solstein
Facebook:  https://www.facebook.com/solsteinband
Band Contact:  aslanlupo@gmail.com
Is it Jazz? Records
Website:  https://isitjazzrecords.no/
Facebook:  https://www.facebook.com/IsItJazzRecords/
Instagram: https://www.instagram.com/isitjazzrecords/
Contact:  post@isitjazzrecords.no

Since the release of SEVEN IMPALE’s 2016 album “Contrapasso”,  a lot of things have happened in the lives of the band’s members. Some of those things, like having kids and finishing your education, are the sort of things that happen to most people.  Others, like Vocalist/Guitarist Stian graduating from the Grieg Academy as an opera singer and launching an international career, and Keyboard  player Håkon joining ENSLAVED, are a little less run of the mill.

But, throughout these eventful seven years, SEVEN IMPALE was kept simmering in the background, and now, the long-awaited third full-length album is ready to make its very welcome appearance. 

Titled “SUMMIT”, the album will be released on Karisma Records on the 26th May, but in the meantime, fans can remind themselves of what they have been missing with a track from the album. 

Titled “IKAROS”, the track can be downloaded or streamed from a number of services at

https://link.karismarecords.no/SevenImpale_IKAROS

About the track, SEVEN IMPALE had this to say:

“IKAROS” is THE song from “SUMMIT” that will make you check if there is something wrong with your stereo.  It is the “single” of the album. The shortest one… just shy of ten minutes…yes, we know. A radio hit.  All joking aside, this track is us summoning some of our favourite bands; Alice in Chains, The Mars Volta, Enslaved etc. The keyword here is RIFFS.

 “SUMMIT” itself features SEVEN IMPALE’S distinctive style which blends jazz and progressive rock with more heavy influences. By limiting itself to four juggernaut tracks, and, coming in at close to 45 minutes, “SUMMIT” doesn’t leave behind the madness of “City of the Sun” and “Contrapasso”, but rather gives the music and lyrics the space and time needed to captivate and dazzle its listeners.

Recorded in Solslottet, Bergen, and produced mixed and mastered by Iver Sandøy, track listing for “SUMMIT” is as follows:

1. HUNTER
2. HYDRA
3. IKAROS
4. SISYPHOS

With artwork by Erik Hølleland, “SUMMIT” will be released in CD, Vinyl and Digital formats, and is now available to pre-order from:

Bandcamp: https://sevenimpale.bandcamp.com/album/summit
Webshop: https://www.karismarecords.no/sevenimpale-summit/ 
US Webshop: https://karismarecords.indiemerch.com/

Formed in Bergen, Norway in 2010, the sheer diversity of musical disciplines its members brought with them meant that SEVEN IMPALE immediately stood out from the many other new arrivals on the scene.  From classical orchestra to big band, metal to jazz and rock to electronic, SEVEN IMPALE’s lineup of  Benjamin Mekki Widerøe onSaxophone, Erlend Vottvik Olsen on Guitars, Fredrik Mekki Widerøe on Drums, Guitars and Vocals, Håkon Mikkelsen Vinje on Keyboards and Vocals, Stian Økland on Guitars and Vocals, and Tormod Fosso on Bass, have successfully succeeded in fusing all their individual experiences and influences to form a sound that is unmistakably theirs.

More information about SEVEN IMPALE can be found on the band’s Facebook page at https://www.facebook.com/sevenimpale or on their website at https://sevenimpale.com

ADDITIONAL INFORMATION
SEVEN IMPALE
Facebook:  https://www.facebook.com/sevenimpale  
Website: https://sevenimpale.com
Instagram: https://www.instagram.com/sevenimpale/
Twitter: https://twitter.com/SevenImpale
YouTube: https://www.youtube.com/@SEVENIMPALE
Band Contact:  sevenimpale@gmail.com
KARISMA RECORDS
Promo and other information: post@karismarecords.no
Karisma Records contact: post@karismarecords.no 
Karisma Records: http://www.karismarecords.no/
Karisma Records Facebook: https://www.facebook.com/karismarecords
Karisma Records Bandcamp: https://karismarecords.bandcamp.com
Karisma Records on YouTube:  https://www.youtube.com/c/KarismarecordsNor
Karisma Records Twitter: https://twitter.com/KarismaRecords
Karisma on SoundCloud:  https://soundcloud.com/karisma-records
Karisma Records Webshop: https://www.karismarecords.no
Karisma Records US Webshop:  https://karismarecords.indiemerch.com

Up until now, LARS FREDRIK FRØISLIE was known as a member of Prog Rockers WOBBLER, but thanks to Karisma Records the keyboard player will release his debut solo album “Fire Fortellinger” on the 2nd June. 

Inspired by renaissance music, 70s prog rock, especially from Italy, Norwegian 90s black metal, British rock and heavy metal  from the 60s and 70s, as well as folk music, jazz and psychedelic rock, Frøislie has created an album where each of its four tracks tells its own story, and today fans get to hear one of the tracks, “Et sted under himmelhvelvet”, which is available to stream or download from a number of services at

https://link.karismarecords.no/LFF_EtStedUnderHimmelvelvet

About the track, Frøislie explained that “Et sted under himmelhvelvet” is a dreamy song which is “Possibly set in a Renaissance Garden near Florence. But in principle it can be anywhere where it feels good to be. It is partly about travelling to a place and feeling that you have been there before – only to find out that you had ancestors who lived there long ago”.

For “Fire Fortellinger” Frøislie takes on vocals and drums, as well as a formidable array of instruments including and a few tons of old analogue keyboards such as Hammond C3, Mellotron M400, Minimoog Model D, Chamberlin M-1, Yamaha CP70B, William de Blaise spinet, Hohner Clavinet D6, Rhodes MkII and an Arp Pro Soloist. With him is Nikolai Hængsle (ELEPHANT9, NEEDLEPOINT, BIGBANG, BAND OF GOLD etc.) on Rickenbacker 4003, Fender Jazz Bass, Fender Precision and Fender Telecaster Bass.

Written during the pandemic “Fire Fortellinger” could well have been a totally different beast, one destined for a new WOBBLER album. However, circumstances being what they were, Frøislie had to work on the material alone, thereby being able to preserve a degree of spontaneity that would not have been possible had it had to pass through the band process of rehearsals and recording.   

“Fire Fortellinger” thus succeeds in preserving the impulsiveness of the original, allowing the audience to hear a finished work that is partly improvised and recorded in one take, free of any click tracks, auto-tune, MIDI or too much technology.

Track listing for “Fire Fortellinger” is as follows:

01. Rytter av dommedag
02. Et sted under himmelhvelvet
03. Jærtegn
04. Naturens katedral

With artwork by Frøislie himself “Fire Fortellinger” will be released in CD, Limited Edition LP and Digital formats and is now available to pre-order from the following:

Webshop:  https://www.karismarecords.no/kar253-lars-fredrik-froislie-fire-fortellinger/ 
Bandcamp: https://larsfredrikfroislie.bandcamp.com/album/fire-fortellinger  
US shop: https://karismarecords.indiemerch.com
Webshop General: https://www.karismarecords.no/shop/
All pre-order options & regularly updated all things album related: https://link.karismarecords.no/LFF_Fire-Fortellinger

Frøislie took advantage of the opportunities afforded by the pandemic to roam the countryside and draw inspiration from Norway’s past, which he then used to create the music and lyrics for “Fire Fortellinger”:

I dreamed myself back in time, and consumed music, art and literature from the old days. The music is characterized by this, and inspiration is drawn from, among other things, Snorre Sturlason, Sohlberg’s “Winter’s Night in the Mountains” and Hamsun’s “Growth of the Soil”. It is both a search back to an apparently more primitive time; as well as a quest back to nature and away from civilization and people.

I took many trips out to Raknehaugen in Romerike, as well as trips to an old cottage in Heidal and the home districts of Ringerike (with its many Viking graves and magical landscapes), and this can also be heard in the music.

It is this fascinating creative process that Frøislie explains in video series that describes the making of “Fire Fortellinger”. The first part can be seen below and at https://youtu.be/qApnt1EGBvM 

And the second below and at at  https://youtu.be/wl5fB6vDBBc

More information about LARS FREDRIK FRØISLIE can be found at https://www.facebook.com/larsfredrikfroislie

ADDITIONAL INFORMATION
LARS FREDRIK FRØISLIE
Facebook:  https://www.facebook.com/larsfredrikfroislie
Instagram: https://www.instagram.com/larsfredrikfroislie/
YouTube: https://www.youtube.com/@fredfroi
KARISMA RECORDS
Promo and other information: post@karismarecords.no
Karisma Records contact: post@karismarecords.no 
Karisma Records: http://www.karismarecords.no/
Karisma Records Facebook: https://www.facebook.com/karismarecords
Karisma Records Bandcamp: https://karismarecords.bandcamp.com
Karisma Records on YouTube:  https://www.youtube.com/c/KarismarecordsNor
Karisma Records Twitter: https://twitter.com/KarismaRecords
Karisma on SoundCloud:  https://soundcloud.com/karisma-records
Karisma Records Webshop: https://www.karismarecords.no
Karisma Records US Webshop:  https://karismarecords.indiemerch.com

Inspired by the classic bands and albums of the early 1970s progressive music scene, as well as  contemporary bands ÄNGLAGÅRD, ANEKDOTEN, WHITE WILLOW and LANDBERK, THE CHRONICLES OF FATHER ROBIN (TCOFR for short) was founded back in 1993-94 by WOBBLER frontman Andreas W. S. Prestmo together with childhood friends Jon and Henrik, who shared a joint interest in folk tales, mythology, fantasy literature, psychedelia and adventurous music.

It was an exhilarating time filled with fiery discussions where we introduced each other to our latest musical, philosophical or literary discoveries and tried to win each other over. After a while, we created our own world inspired by these discoveries that besieged us.

From this period of creativity the story of the entity known as Father Robin emerged, a creature that embodied all the members of the band. As the members experienced challenges in life and developed as human beings, so the story of Father Robin took root in the mythical world of Airoea.

The first recording sessions started at Bekk Studios in Jæren, and over a span of 13 years they recorded what would eventually become “The Songs & Tales of Airoea”, which tells the tale of Father Robin’s journey in Airoea through 16 songs spread out over three albums.  

After a recording session we would typically walk down to the nearby beach. We discussed what we had done that day, but very often we started talking about what Father Robin would do next in the story we were continually writing. Where was he really going? Which implications and consequences did the choices we made that day have to say for the road and songs ahead? Holistic impulsivity and ideas, altruistic friendship, music, fantasies and coherent concept – all melded together in one pot.

The final pieces of the puzzle fell into place with the contributions of Lars Fredrik Frøislie (WOBBLER, IN LINGUA MORTUA, WHITE WILLOW) folksinger Aleksandra Morozova (MT. MELODIE, OSLO PHILHARMONIC CHOIR), Kristoffer Momrak (ALWANZATAR, TUSMØRKE, LES FLEURS DU MAL), Håkon Oftung (JORDSJØ) and illustrator Lars Kvernberg.

Thus “The Songs & Tales of Airoea” trilogy was finally complete, which is where Karisma Records comes in, because this summer they will join forces with the TCOFR’s own label, Old Oak Records, to unleash this beast onto an unsuspecting public. 

Karisma Records will release CD, Digital and Black Vinyl versions, whilst Old Oak Records will release a Deluxe Limited Edition coloured triple vinyl box set, something TCOFR have been looking forward to for a long, long, time:

The impulsive creative process and “collective brainstorming” that started in 1993 has more or less been the same all along. The ideas and the becoming concept have matured like an old wine in an abandoned fortress. We are now what we set out to be 30 years ago, and it feels bloody fantastic.

We’re therefore thrilled to be able announce this joint venture with Karisma Records, and proud to be a part of their ever-growing roster of exciting and talented artists. Karisma’s professional set up, network, and standing among artists and music lovers is a perfect match for THE CHRONICLES OF FATHER ROBIN. It’s been 30 years in the making, but now the dream finally comes true.

Full details of “The Songs & Tales of Airoea” trilogy will be released soon, and in the meantime a teaser for the album can be heard at www.fatherrobin.com

Lots of more information about THE CHRONICLES OF FATHER ROBIN can be found on the band’s website www.fatherrobin.com or on Facebook at https://www.facebook.com/TheChroniclesofFatherRobin  

ADDITIONAL INFORMATION
THE CHRONICLES OF FATHER ROBIN
Website: www.fatherrobin.com
Facebook: https://www.facebook.com/TheChroniclesofFatherRobin
Instagram: https://instagram.com/thechroniclesoffatherrobin?igshid=YmMyMTA2M2Y=
KARISMA RECORDS
Promo and other information: post@karismarecords.no
Karisma Records contact: post@karismarecords.no
Karisma Records: http://www.karismarecords.no/
Karisma Records Facebook: https://www.facebook.com/karismarecords
Karisma Records Bandcamp: https://karismarecords.bandcamp.com
Karisma Records on YouTube:  https://www.youtube.com/c/KarismarecordsNor
Karisma Records Twitter: https://twitter.com/KarismaRecords
Karisma on SoundCloud:  https://soundcloud.com/karisma-records
Karisma Records Webshop: http://karismarecords.bigcartel.com/
Karisma Records US Webshop:  http://karismarecords.aisamerch.com/

LARS FREDRIK FRØISLIE, keyboard player for Prog Rockers WOBBLER is set to release his debut solo album “Fire Fortellinger” on Karisma Records on the 2nd June. 

Comprised of four tunes, each one telling its own story, “Fire Fortellinger” came about during the pandemic when Frøislie was forced to isolate like everyone else, and chose to make this time as productive as possible. Explaining how the album was conceived and the inspiration that was behind it Frøislie had this to say:

During the pandemic, I dreamed myself back in time, and consumed music, art and literature from the old days. The music is characterized by this, and inspiration is drawn from, among other things, Snorre Sturlason, Vinternatt i Rondane and Markens Grøde. It is both a search back to an apparently more primitive time; as well as a quest back to nature and away from civilization and people.

I took many trips out to Raknehaugen in Romerike, as well as trips to an old cottage in Heidal and the home districts of Ringerike (with its many Viking graves and magical landscapes), and this can also be heard in the music.

Frøislie has also completed the first part of a video series in which he describes the making of “Fire Fortellinger” and it can be seen below and at https://youtu.be/qApnt1EGBvM 

Had it not been for the pandemic, much of the material on “Fire Fortellinger” would probably have been earmarked for a new WOBBLER album, with English lyrics and subjected to the revisions that are inevitable when a band gets together over new material. However, given that the circumstances dictated that he would have to work on the material alone, Frøislie was able to keep his material as spontaneous as possible, without having to put it through too many rounds of processing.  

He has thus succeeded in preserving the impulsiveness of the original, and, as a consequence, much of what the audience gets to hear is improvised and recorded in one take, thereby maintaining the hands-on human aspect with an avoidance of click tracks, auto-tune, MIDI or too much technology.

With a sound that draws its inspiration from 70s prog rock, especially from Italy, Norwegian 90s black metal, British rock and heavy metal  from the 60s and 70s, as well as folk music, jazz and psychedelic rock, “Fire Fortellinger” finds Frøislie on vocals and drums, and availing himself of a formidable array of instruments including Ludwig drums and a few tons of old analogue keyboards including Hammond C3, Mellotron M400, Minimoog Model D, Chamberlin M-1, Yamaha CP70B, William de Blaise spinet, Hohner Clavinet D6, Rhodes MkII and an Arp Pro Soloist. With him is Nikolai Hængsle (ELEPHANT9, NEEDLEPOINT, BIGBANG, BAND OF GOLD etc.) on Rickenbacker, Fender Jazz Bass, Fender Precision and Fender Telecaster Bass.

The album artwork is by Frøislie himself and “Fire Fortellinger” will be available in CD, Limited Edition LP and Digital formats. Track listing is as follows:

01. Rytter av dommedag
02. Et sted under himmelhvelvet
03. Jærtegn
04. Naturens katedral

For those wishing to delve deeper into the stories behind each track, Frøislie was happy to oblige:

The first song “Rytter av dommedag” is themed around Ragnarok, when King Rakne awakens in his large burial mound outside Romerike and, together with the old gods, creates real mischief.

The second song “Et sted under himmelhvelvet” is dreamy, possibly set in a Renaissance garden near Florence or Arcadia. But in principle it can be anywhere where it feels good to be. It is partly about travelling to a place and feeling that you have been there before – only to find out that you had ancestors who lived there long ago.

The third song “Jærtegn” opens in a frenzy, with a horse and cart speeding through the forest. The wagon overturns at the same time as there is a solar eclipse, and the riders become eternal wanderers in the dark forest, only visible to us now and then like the northern lights, as they vainly stretch their arms towards the sun in the hope of finding their way home.

The final song “Naturens Katedral” is a depiction of the Norwegian mountains in winter where the cold is bitter, and blizzards and avalanches abound. It is also a search for bygone times when life was more basic out in the wilderness.

“Fire Fortellinger” is now available to pre-order from:

Webshop:  https://www.karismarecords.no/kar253-lars-fredrik-froislie-fire-fortellinger/ 
Bandcamp:  https://larsfredrikfrislie.bandcamp.com/album/fire-fortellinger
US shop: https://karismarecords.indiemerch.com
Webshop General: https://www.karismarecords.no/shop/
All pre-order options & regularly updated all things album related: https://link.karismarecords.no/LFF_Fire-Fortellinger

More information about LARS FREDRIK FRØISLIE can be found at https://www.facebook.com/larsfredrikfroislie

ADDITIONAL INFORMATION
LARS FREDRIK FRØISLIE
Facebook:  https://www.facebook.com/larsfredrikfroislie
Instagram: https://www.instagram.com/larsfredrikfroislie/
KARISMA RECORDS
Promo and other information: post@karismarecords.no
Karisma Records contact: post@karismarecords.no 
Karisma Records: http://www.karismarecords.no/
Karisma Records Facebook: https://www.facebook.com/karismarecords
Karisma Records Bandcamp: https://karismarecords.bandcamp.com
Karisma Records on YouTube:  https://www.youtube.com/c/KarismarecordsNor
Karisma Records Twitter: https://twitter.com/KarismaRecords
Karisma on SoundCloud:  https://soundcloud.com/karisma-records
Karisma Records Webshop: https://www.karismarecords.no
Karisma Records US Webshop:  https://karismarecords.indiemerch.com

Norwegian jazz trio DATADYR was the second signing on the newly formed Is it Jazz? Records back in 2022, and the label went on to  release the young band’s first album “Woolgathering” in June of that year. 

DATADYR’s music ranges from the heartfelt and gentle to the energetic and explosive, and it’s rarely far between those extremes.  The  debut  album itself was a collection of the trio’s favourite songs, which they had written early on in their careers.  As such, it showcased the kind of music its members were influenced by, both as individual musicians and as a band.

“Woolgathering” did, in fact, provide a smorgasbord of atmospheric jazz and Americana with a retro post-pop feel, and, needless to say, there was an abundance of tracks to choose from, some of which, both band and label thought would be perfect for a follow up EP. 

Hence,  on the 24th February, Is it Jazz? Records will release four of those tracks as a digital EP titled “Keymaster”.

As the band explained:

When we entered the studio to record our debut album we knew we had too much material to fit on a record, and now the songs we decided to leave out are being released as an EP!

We also had the pleasure of having Mathias Marstrander play some beautiful pedal-steel on Tamagochi Dream!

We’re looking forward to releasing the rest of the songs from the album recording-sessions and hope you like them!

Recorded at the Solslottet studio at Bergen Kjøtt with Iver Sandøy as the engineer and producer, and w ith cover art by Eigil Nordstrøm and band photographs by Olav Vikingstad, tracklisting on “Keymaster” is as follows:

1. Keymaster
2. Tamagotchi Dream
3. Onkel Amerika
4. Free Folk

“Keymaster” is now available to pre-order at https://orcd.co/keymaster or Bandcamp at https://datadyr.bandcamp.com/album/keymaster

With all three members having studied jazz at the Grieg Academy, DATADYR’s lineup of Øystein Høynes on bass, Amund Nordstrøm on drums and Odd Erlend Mikkelsen on guitars, have garnered experience in bands such as KRYPTOGRAF, DREAMARCHER, ATARI, CORT PIIL and SHAKAI.  By combining their extensive studies with their accumulated experience, the trio has been able  to create a sound characterized by traditional jazz, along with newer directions in the genre, as well as improvisation. 

More  information about DATADYR  can be found on the band’s Facebook page at https://www.facebook.com/Datadyrmusic

ADDITIONAL INFORMATION
Facebook: https://www.facebook.com/Datadyrmusic
Youtube: https://www.youtube.com/channel/UCpLXhM4Pd4bZxJ0UEkAzgpg
Booking: datadyrepost@gmail.com
Website:  https://isitjazzrecords.no/
Facebook:  https://www.facebook.com/IsItJazzRecords/
Instagram: https://www.instagram.com/isitjazzrecords/
Contact:  post@isitjazzrecords.no

When Kim Ljung formed LJUNGBLUT in 2005, his intention was to find a vehicle for songs that didn’t fit in with either SEIGMEN or ZEROMANCER, the bands that he is best known for.  Now, with six full-length albums firmly ensconced in the annals of LJUNGBLUT’s history, Ljung finally found the time to work on something he had been wanting to do for years – and it all centres on a tiny cabin owned by his family in Nordstøldalen in Sauda, Norway.

So, accompanied only by an old acoustic guitar,  Ljung travelled alone to the cabin last summer, and laid down the foundations of what would become “Sauda”  a five-song EP  which Karisma Records is set to release on the 3rd of March.  “Sauda” is, in fact, the first in a series, inspired by Ljung’s travels.

It is such a personal project, that it is best that Ljung describes it in his own words:

Half of me comes from Sauda.
The trips across the mountains have been countless.
In all kinds of weather. Several times a year when I was a kid.
Always hiking up to the cabin in Nordstøldalen, driving down to the factory where my grandfather worked.
Those big cargoships that docked. Going onboard, meeting the captain who served tea from China, getting letters from far-off countries with stamps on.
Sauda was an adventure to me.
In the old cars, on those endless drives, there were always cassette tapes.
Sven-Bertil Taube was the favourite of mine.

I have long wanted to return to this small, red cabin.
No electricity. Alone. Too small for more than one person anyway. Only me and the acoustic.
This cabin, which was disassembled board by board down in Sauda. Rebuilt up in Nordstøldalen so my great-grandmother, who suffered from asthma would get fresh air.
The cabin journals are still there on the shelf. The first one from 1938. All the attempts and records from the ski jumps they built in winter. They jumped almost 40 meters.
The beautiful green pond right by. The hiss from the ice-cold river running down from the mountain.
Here I played to a herd of sheep for breakfast. For the twilight and the widest starry sky I have ever seen, at night.

As an acknowledgement to those car trips, filled with music from the cassette player, Karisma Records will only be releasing “Sauda” in  A Limited Edition Cassette and in Digital formats.

Recorded at the Frodeløkka Studio in Tønsberg by Terje Johannesen, and mastered by Herbrand Larsen, “Sauda” is performed mostly by Kim Ljung, with some assistance from Terje Johannesen and Dan Heide. 

With artwork by Tom Korsvold, tracklisting for “Sauda” is as follows:

01. Fabrikken
02. Åbøbyen
03. Norstøldalen
04. Saudasjøen
05. Sommer

“Sauda” is now available to pre-order from:

Regularly Updated Pre-order link: https://link.karismarecords.no/Ljungblut_Sauda_
Webshop: https://www.karismarecords.no/kar252-ljungblut-sauda/
Bandcamp: https://ljungblut.bandcamp.com/album/sauda

More information about LJUNGBLUT can be found on the band’s Facebook page at https://www.facebook.com/Ljungblut-86549322482/  or at www.ljungblut.com

A video for the track “Hasselblad”  from LJUNGBLUT’s 2018 album “Villa Carlotta 5959” can be seen below and at https://youtu.be/7h1ScexLWJ0

ADDITIONAL INFORMATION
Facebook: https://www.facebook.com/Ljungblut-86549322482/
Website: www.ljungblut.com
YouTube:  https://www.youtube.com/channel/UC2GURpUy14Zv87L9T-ftYTg
KARISMA RECORDS
Promo and other information: post@karismarecords.no
Karisma Records contact: post@karismarecords.no 
Karisma Records: http://www.karismarecords.no/
Karisma Records Facebook: https://www.facebook.com/karismarecords
Karisma Records Bandcamp: https://karismarecords.bandcamp.com
Karisma Records on YouTube:  https://www.youtube.com/c/KarismarecordsNor
Karisma Records Twitter: https://twitter.com/KarismaRecords
Karisma on SoundCloud:  https://soundcloud.com/karisma-records
Karisma Records Webshop: https://www.karismarecords.no
Karisma Records US Webshop:  https://karismarecords.indiemerch.com

With their third full-length album, simply titled “III”,  due out  on Karisma Records on the 27th January,  Brazilian Symphonic Proggers CARAVELA ESCARLATE  have released another song from the album. This time the chosen track is “Mandala”, which, in keeping with the album’s theme, takes a look at another significant period in history, as the band explains:

The introspective feel of this instrumental song, set over a solid mid-tempo groove, together with the epic moments of the chorus guided by mellotrons, leads the audience on a trip to the old cultures, in which circular forms represent the relationship between humankind and divine things. 

“Mandala” can be streamed or downloaded from a number of services at https://link.karismarecords.no/Caravela-Escarlate_Mandala

Drawing inspiration from both English and Italian ‘70s Prog Rock, CARAVELA ESCARLATE was formed in 2011 in Rio de Janeiro.  Today’s lineup of Jove David Paiva on vocal, bass, guitar, Elcio Cáfaro on drums, and Ronaldo Rodrigues (ARCPELAGO, BLUE RUMBLE) on keyboard, create a sound that allows audiences into a world of organs and synthesisers, played over a solid foundation of drums and bass. 

It is sound that is not too dissimilar to the exciting prog-rock trios of the 1970s, but there is an essential difference that imbues CARAVELA ESCARLATE’s music with an atmosphere that is original, and uniquely its own – because this is a band whose heritage enables it to take its international feel and blend into it a wealth of traditional and popular Brazilian music.

The Roman Empire, the Medieval  Period, Pre-Columbian Civilisations, and the Age of Discovery  were seminal periods in  the development of humanity and the world as we know it today,  and,  in “III”,  CARAVELA ESCARLATE  use their music to explores each period in a uniquely musical way. 

With cover art  by the renowned British artist J.M.W.Turner, chosen for its depiction of a cataclysmic event, namely the eruption of Vesuvius which destroyed Pompeii in AD 79, track listing for “III” is as follows:

01. Bússola do Tempo
02. Castelos do Céu
03. Sonhos Medievais
04. Mandala
05. Cruz da Ordem
06. Ciclos
07. Filtro dos Sonhos

“III” will be released in CD, Digital and Vinyl formats,  is now available to pre-order from various services at https://link.karismarecords.no/CaravelaEscarlate_III

More information about CARAVELA ESCARLATE can be found on the band’s Facebook page at https://www.facebook.com/caravelaescarlate/ 

A video of CARAVELA ESVARLATE live playing the title track from their 2018 self-titled album can be seen below and at https://youtu.be/UNx6mKGeHIo

ADDITIONAL INFORMATION
CARAVELA ESCARLATE
Facebook:  https://www.facebook.com/caravelaescarlate/
Band Contact & Booking: caravelaescarlate@gmail.com
KARISMA RECORDS
Promo and other information: post@karismarecords.no
Karisma Records contact: post@karismarecords.no 
Karisma Records: http://www.karismarecords.no/
Karisma Records Facebook: https://www.facebook.com/karismarecords
Karisma Records Bandcamp: https://karismarecords.bandcamp.com
Karisma Records on YouTube:  https://www.youtube.com/c/KarismarecordsNor
Karisma Records Twitter: https://twitter.com/KarismaRecords
Karisma on SoundCloud:  https://soundcloud.com/karisma-records
Karisma Records Webshop: https://www.karismarecords.no
Karisma Records US Webshop:  https://karismarecords.indiemerch.com

The new year sees the release of the third full-length album from Brazilian Symphonic Proggers CARAVELA ESCARLATE.  A follow up to the bands self-titled 2018 album, and simply titled “III”, the album promises a new journey along the pathways of  vintage progressive rock.

With seven tracks (of which two are instrumentals) to choose from, Karisma Records have chosen to release the track ” Bússola do Tempo” as a single, as the band explains:

“Bússola do Tempo” is the opening track of our new album “III”, and, as the  first single,  it serves as an introduction to the album itself. The song is driven by  powerful bass riffs, a heavy drum section, a warm organ sound, and remarkable synth interludes, the whole of which bears the  influence of glorious 70s classic prog/rock.

You can download or stream “Bússola do Tempo”  from a number of services at https://link.karismarecords.no/CaravelaEscarlate_BussolaDoTempo

Formed in Rio de Janeiro in 2011, CARAVELA ESCARLATE is heavily inspired by both English and Italian ‘70s Prog Rock, but what sets them apart from other bands of their ilk, is that they are able to draw on a wealth of traditional and popular Brazilian music, which gives the trio a special, and quite unique, sound.

With “III”, CARAVELA ESCARLATE have chosen to evoke significant historical issues within their differing contexts.  As such they have created an album that cuts a broad swath through the Roman Empire, the Medieval  Period, Pre-Columbian Civilisations, and the Age of Discovery. 

Even the cover art for “III”,  by the renowned British artist J.M.W.Turner, has been chosen for its depiction of a cataclysmic event, namely the eruption of Vesuvius which destroyed Pompeii in AD 79.

Tracklisting for “III” is as follows:

01. Bússola do Tempo
02. Castelos do Céu
03. Sonhos Medievais
04. Mandala
05. Cruz da Ordem
06. Ciclos
07. Filtro dos Sonhos

“III” will be released on Karisma Records on the 27th January 2023 in CD, Digital and Vinyl formats and is now available to pre-order from various services at

https://link.karismarecords.no/CaravelaEscarlate_III

In musical terms, CARAVELA ESCARLATE’s lineup of Jove David Paiva on vocal, bass, guitar, Elcio Cáfaro on drums, and Ronaldo Rodrigues (ARCPELAGO, BLUE RUMBLE) on keyboard, provide audiences with a deep dive into the world of organs and synthesisers, played over a solid foundation of drums and bass.  Not too dissimilar from the exciting prog-rock trios of the 1970s, but, with the bands unique universal influences and Brazilian accents.

More information about CARAVELA ESCARLATE can be found on the band’s Facebook page at https://www.facebook.com/caravelaescarlate/  

A video of CARAVELA ESVARLATE live playing the title track from their 2018 self-titled album can be seen below and at https://youtu.be/UNx6mKGeHIo

ADDITIONAL INFORMATION
CARAVELA ESCARLATE
Facebook:  https://www.facebook.com/caravelaescarlate/
Band Contact & Booking: caravelaescarlate@gmail.com
KARISMA RECORDS
Promo and other information: post@karismarecords.no
Karisma Records contact: post@karismarecords.no 
Karisma Records: http://www.karismarecords.no/
Karisma Records Facebook: https://www.facebook.com/karismarecords
Karisma Records Bandcamp: https://karismarecords.bandcamp.com
Karisma Records on YouTube:  https://www.youtube.com/c/KarismarecordsNor
Karisma Records Twitter: https://twitter.com/KarismaRecords
Karisma on SoundCloud:  https://soundcloud.com/karisma-records
Karisma Records Webshop: https://www.karismarecords.no
Karisma Records US Webshop:  https://karismarecords.indiemerch.com

With the release date of “The Quiet Rebellion of Compromise” getting ever closer,  Karisma Records have today released one more single from the album, giving one more insight into what fans, old and new, can expect from the latest offering from Progressive Pop/Rockers OAK.

Titled “Paperwings”, OAK had this to say about the track:

We set out to write some shorter songs for this album, but Paperwings ended up being our longest one yet. It`s a journey through most aspects of our musical universe, and a dark and forceful ride into the nature of desperation, sorrow and hope.

 “Paperwings” can be streamed or downloaded from a number of services at https://link.karismarecords.no/Oak_Paperwings

Set for release on the 11th November, the album itself is the perfect example of what results when a group of musicians from diverse backgrounds get together to make music.   With a skill set that ranges from classical piano, to electronica, to prog and hard rock, OAK’s lineup of Simen Valldal Johannessen on vocals, piano and keys, Øystein Sootholtet on bass, acoustic and electric guitars, Sigbjørn Reiakvam on drums, percussion, programming, keys and guitars, and Stephan Hvinden on lead, rhythm and slide guitars has been able to produce a sound that weaves its way through both the alternative and the progressive rock scenes.

Easily OAK’s  most dynamic album to date “The Quiet Rebellion of Compromise” presents  a sharper edge than its two predecessors. With some surprises along the way, the sound is still unmistakably OAK, and offers a subtle insight into what went before, and what is yet to come, from the band.

What makes this album extra special though, is its subject matter – the  frequently misunderstood issue of mental health with a focus on suicide.  But to be very clear OAK have eschewed the temptation to fall into the “sensationalist” way of looking at these matters.  Instead they have treated these controversial subjects with the respect and sympathy they deserve, seeking advice from experienced scholars in order that the message comes  across clearly.

OAK’s painstaking efforts with “The Quiet Rebellion of Compromise” are even reflected in the cover design, which is by Remi Juliebø / Deformat.  Based on the death mask of an unknown drowning victim from 1880s Paris, known as “L’Inconnue de la Seine”,  Anne-Marie Forker’s photography is a poignant reference to the album’s subject matter, whilst the font itself is partially based on the handwriting from two real suicide notes. 

Recorded  in Ljugekroken and mixed at the Ghostward Studio by David Castillo (KATATONIA, LEPROUS OPETH, etc.) “The Quiet Rebellion of Compromise” was mastered by Tony Lindgren at the Fascination Street Studio.  

Track listing for “The Quiet Rebellion of Compromise” is as follows.

1. Highest Tower, Deepest Well
2. Quiet Rebellion
3. Dreamless Sleep
4. Sunday 8 AM
5. Demagogue Communion
6. Paperwings
7. Guest of Honour

“The Quiet Rebellion of Compromise” will be available in CD, Digital and Limited Edition white vinyl formats, and can now be pre-order from the following:

Various Services (regularly updated) https://link.karismarecords.no/Oak_The-Quiet-Rebellion-of-Compromise
Webshop:  https://www.karismarecords.no/kar225-oak-the-quiet-rebellion-of-compromise/
Bandcamp: https://oakinoslo.bandcamp.com/album/the-quiet-rebellion-of-compromise
US Webshop: https://karismarecords.indiemerch.com/band/oak

More information about OAK can be found on the band’s Facebook page at https://www.facebook.com/oakinoslo/

Additional Information
Facebook:  https://www.facebook.com/oakinoslo/
Bandcamp:  https://oakinoslo.bandcamp.com
Instagram: https://www.instagram.com/oakinoslo/
YouTube: https://www.youtube.com/user/OakInOslo
Band contact and Booking: contact@oakinoslo.com
Promo and other information: post@karismarecords.no
Karisma Records contact: post@karismarecords.no 
Karisma Records: http://www.karismarecords.no/
Karisma Records Facebook: https://www.facebook.com/karismarecords
Karisma Records Bandcamp: https://karismarecords.bandcamp.com
Karisma Records on YouTube:  https://www.youtube.com/c/KarismarecordsNor
Karisma Records Twitter: https://twitter.com/KarismaRecords
Karisma on SoundCloud:  https://soundcloud.com/karisma-records
Karisma Records Webshop: https://www.karismarecords.no
Karisma Records US Webshop:  https://karismarecords.indiemerch.com